Trellis and Lane
© Estate of Mabel May Woodward
In Trellis and Lane, Woodward presents a quiet, still setting absent of people, with a palette limited to beiges, blues, and greens. Composed of a series of receding forms and shadows that draw the eye into the distance, the painting is rendered in broad brushstrokes that forego fine detail and leave hard edges of thickly applied paint. Woodward consistently created Impressionist paintings of this rather small size, which were particularly suited to working outdoors, referred to as plein air. A longtime resident of Rhode Island, Woodward’s painting was significantly impacted by the summers she spent in Ogunquit, ME, where she studied under Charles Woodbury and Arthur Wesley Dow. An extensive traveler, Woodward painted in Europe as well as throughout the United States in cities such as Taos, NM, and Charleston, SC.
Exhibition Title: Asheville Art Museum: An Introduction to the Collection
Label Date: 2021
Type: Catalogue Entry
Written by: Cindy Buckner
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