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Artist
Title

Artists Judging Works of Art

Date
1916
Century
20th century
Medium & Support
Lithograph on paper
Edition
first state
Dimensions
Frame: 24 x 31 1/2 in. , Image: 14 1/2 x 19 in. , Sheet: 24 x 31 3/8 in.
Style
Ash Can School
Object Type
Prints
Credit Line
Museum purchase with funds provided by the Midgard Foundation with additional support from R. K. Benites
Accession Number
2008.18.61
Copyright
No copyright - United States
Description

Group of men in suits, sitting and standing. Engaged in conversation and looking at paintings in background. According to some, figures at extreme left are Thomas Anschutz, George Bellows and John Sloan. Robert Henri is seated at lower right.

Label History

The selection and judgments of art juries were an important issue for early 20th-century American artists. The artists that Bellows associated with—initially called The Eight and later expanded to a larger group known as the Ashcan School—had their work routinely rejected by juried exhibitions at New York City’s staid National Academy of Design as their subject matter of everyday urban life was deemed unworthy of the Academy’s standards for fine art. This was one of the defining factors that catalyzed the founding of The Eight. In this lithograph, Bellows uses mild caricature to portray himself and his fellow jury members— Robert Henri is seated at the bottom right, and Bellows himself is standing at the upper right—at the National Arts Club, a venue that had in the past provided alternative exhibition space for these artists outside the Academy.

Exhibition Title: Asheville Art Museum: An Introduction to the Collection
Label Date: 2021
Type: Catalogue Entry
Written by: Cindy Buckner

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